Saturday, April 6, 2013

The Sapporo Brewery

(Our apologies for the long silence - what with Spring Break, then a busy week at work preparing for an accreditation visit, there's barely been a moment to blog!)

For most Americans, when you hear someone say "Sapporo," you probably picture a tall, silver can with a little yellow star. Sapporo Beer is Hokkaido's ambassador to the world - one of Japan's beer mega-brands, along with Kirin and Asahi (and to a lesser degree, Suntory, which you rarely see outside of Japan).


You have a point, snowman - why not spend an afternoon at the beer museum?

It's history and beer, all in one!
The Sapporo Brewery has a starring role in the very interesting history of commercial brewing in Japan, and by extension modern brewing across Asia. Founded in 1876 as part of a government project to develop the Hokkaido economy, the company that would eventually become Sapporo is one of the oldest commercial brewing operations in East Asia. The old brewery building is simply a spectacular piece of architecture, beautifully restored to house the museum.
An old mash tun.


An restored stained glass window depicting Hokkaido-grown barley.

The tasting hall.

The original brewmaster was trained in Germany, and thus helped set the course of East Asian beer for the next 150 years - Sapporo is a big part of why East Asian beer is almost exclusively based on German recipes, whereas the beers in India and Southeast Asia are typically British in origin.

While the displays are mostly in Japanese, there's enough there for a visitor with a tiny bit of Japanese to piece together a rough history of the company.
Though there are a few more of these labels around than might be in good taste.



The first exhibit included some really fascinating bottles from Sapporo-licensed breweries throughout Asia. It's the dark side of the history of Asian beer: the reason why Asian beer tastes like it does can be traced pretty much directly back to the Japanese Empire. Once Japanese soldiers developed a taste for beer in the 1880s, Japanese-style beer follow them into all the territories they occupied.

Of course, this being a Japanese museum, there had to be some elements of it that were simply inexplicable. Here, it was the Wonka-meets-Santa's-Workshop quality of the models depicting the brewing process.


I don't remember those other brewer tours having quite so many snowman-elves . . .
 My favorite part of the museum, though, was a big gallery full of Sapporo advertisements. I loved the old wooden signboards.

But the posters were also a treat, tracing the broad trends of Japanese fashion and print culture over the decades. (These are roughly in order, from the late 19th century to the early 1980s. Apparently, I failed to take any pictures of anything later, though I remember some good ones.)





This gallery also included a small exhibit on Space Barley, a special-edition Sapporo brew made from barley grown on the International Space Station in 2006. 


At about $100 a six-pack at its initial debut, it was one of the world's most expensive beers - and the best anyone could say about it was that it tasted pretty much like Sapporo. That was the point, though - to show that grains could be grown in microgravity without compromising their usefulness in a variety of food production processes.

Of course, like all good brewery tours and/or beer museums should, our tour ended in the tasting room, where we could sample a range of Sapporo offerings.
On the left is "Black Label," which is their main product (called "Premium," I think, in the US); the middle is "Classic," an old-fashioned light lager; the right is a hoppier pale lager from a small Sapporo brewery in northeastern Hokkaido.
Sadly, Japanese macrobrews aren't all that different from one another, and they start to get pretty old after a while. The "Black Label" doesn't taste much different from "Kirin Ichiban," the "Classic" tastes pretty much like a cheap version of "Black Label," and the pale lager tastes pretty much like "Asahi SuperDry" (which, for my money, is the best of the big Japanese beers).

The onion beer cheese round failed to cleanse the palate.
 But it was still a nice place to sit down for a drink on a cold afternoon.
Plus, this being Japan, they had some stuff to stand in and/or stick your head through for silly photos.

Because you haven't really been there if you haven't taken a picture of your face shoved through a big sheet of particle board.

Sunday, March 24, 2013

Sapporo specialty: Butter Corn Ramen

Sapporo is Japanese dairy country. This is their specialty.



 
Verdict: OH GOD YES.

Monday, March 18, 2013

A question of character

Shamelessly expanded from an email I sent to my father, because EFFICIENCY.

My friend the Japanese teacher recently suggested kanji characters for my name. Justin can't have any because his name has significantly non-Japanese sounds, but "Nana" is a common sound in Japan. Not only is it the pronunciation for the number 7, it can even be a name: there is a recent manga in which the premise is that two girls named Nana meet up on a train to Tokyo and become roommates in apartment 707. The joke, of course, is on the number pronunciation; you have two Nanas living in apartment "Nana-zero-nana." I wanted to just use the character for "seven," or "七", for my name (look how easy it is to write!!!) but apparently this is Not Done.

There are apparently two characters for "Na" which are appropriate for names, either of which would be followed by a character indicating that you double the sound. Forgive me for not typing that, since I have no idea how to type "repeated sound" phonetically on my keyboard, which is the only way to type in Japanese. Kind of a metaphysical question, actually.*
 
The first "Na" is the character for vegetables, and looks like this: 菜. I like this because vegetables are funny, and also I already know how to write it, which would save time. However, she said that felt a little soft for me, since it also has sort of a bendy, "amber waves of grain" connotation. After some reflection, I thought perhaps of the English name "Willow."

The second "Na," she said, would be "a much better fit." It is the same "Na" from the city of Nara, the old capital, and is used by one of the two Nana manga characters (the other just writes it ナナ, which is phonetic Katakana). This alternative "Na" looks like this:
 
I looked it up. It means "hell, abyss, the worst possible." 

Cannot decide if my feelings are hurt, or if I should consolidate power and rule through fear. Advice would be appreciated.
 
* After looking up the character Nana Komatsu from Nana, I found that her name is written with this character: 奈々. So now you can see it thanks to the magic of cut and paste, but I still don't have a clue how to type it.

Saturday, March 16, 2013

ZOMG, Candy! features TheSenseitions

Our college friend Rosa (she was in the marching band with us; metaphorical pouring-out of one for the grand old YPMB) maintains an excellent candy blog at ZOMG, Candy! We've sent her oddities from our Asia adventures before; in fact, we got her on Google's top three search results for "crunky nude balls." Our mothers are so very proud.

Some previous candy crossovers:
Weird kit-kats #1: TheSenseitions; ZOMG, Candy! (Wasabi, Sweet Potato)
Okinawa Shikwasa Hi-Chew
Okinawa Brown Sugar candy
Korean Candy: chocolate-covered peanuts, Lotte Pepero, Crunch Ball Crispy Candy, various Hi-Chews (actually from Japan and picked up in an airport), and the legendary Crunky Nude Balls.

So we - or rather, my aforementioned mother, whom I now owe $5 postage - sent Rosa some candy during our winter trip home. She put up her reviews a long time ago but I just got organized enough to actually do this post linking to them. We now have:

Candied Yuzu Peel
Kabosu (cabos lime) Caramels
and another Kit-Kat review, Kyoto Yatsuhashi.

Finally, if you'd like to see Justin take a shot at Kit-Kat reviewing, check out the old blog posts on Citrus Blend Kit-Kats and Hojicha (tea-flavored) Kit-Kats.

Have a sweet day!

Thursday, March 14, 2013

History Education in Japan's Disputes With China & Korea

Nana pointed me to this article from the BBC, written by a Japanese student who started in the Japanese system but completed her high-school education at an International Baccalaureate (IB) school in Australia.

Her insights ring true for us IB teachers: students in the Japanese system learn a pile of stuff about the medieval era, almost nothing about the twentieth century in general, and even less about World War II. These days, Japanese nationalists are pushing to whitewash even what little instruction the students are given - for instance, by removing references to comfort women or to the Nanjing Massacre. (Note: those are not pleasant links.) Bad for two reasons, as it's annoying Japan's neighbors now and raising a generation destined to annoy those neighbors in the future.

Anyway, an interesting read. Check it out.

Tuesday, March 12, 2013

Sendai Earthquake: Two Years Later

Yesterday marked the second anniversary of the Tohoku Earthquake & Tsunami that devastated northern Honshu here in Japan. While the immediate impact of the event has faded around the world - and, to a lesser extent, in more distant parts of the country - the many of the worst-hit regions still haven't recovered. In some ways, it probably never will, as to a certain extent the recovery efforts run counter to a long-term demographic shift in Japan: the younger generations are almost universally abandoning small towns in favor big urban areas like Tokyo, Nagoya, Kansai, Sapporo, and Fukuoka.

Slate.com has a photo gallery depicting the ongoing effects of the disaster. At school, we're also doing our small part to help the relief efforts through various charity activities and through the considerably larger sacrifices made by the teams of students and teachers who head there to lend a hand twice each year. If you feel like pitching in from afar, have a look at this donation page from the Japanese Red Cross Society.

Thursday, March 7, 2013

Park Air at the Sapporo Snow Festival

In the middle of the Snow Festival, halfway down the length of Odori Park, stood a giant ski slope on a scaffold. Throughout the festival, teams of (mostly local) skiers and snowboarders put on aerial exhibitions high above the shivering crowd. The guys and gals below tackled the freestyle moguls the night Nana and I came by to watch. The skiers ranged in age from about 13 to 50 (no joke); they were freestyle beginners, national team superstars, and everything in between.



That guy's 50.

Softening the landing.


That guy's 14.


13, I think. Doing a front flip.
Yeah, it seems you can get pretty good at this sport if you grow up with world-class skiing in your backyard!